Silent in the Sanctuary [Lady Julia Grey Series Book 2] [Secure]
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by Deanna Raybourn
Description: Fresh from a six-month sojourn in Italy, Lady Julia returns home to Sussex to find her father's estate crowded with family and friends--but dark deeds are afoot at the deconsecrated abbey, and a murderer roams the ancient cloisters. Much to her surprise, the one man she had hoped to forget--the enigmatic and compelling Nicholas Brisbane--is among her father's houseguests ... and he is not alone. Not to be outdone, Julia shows him that two can play at flirtation and promptly introduces him to her devoted, younger, titled Italian count. But the homecoming celebrations quickly take a ghastly turn when one of the guests is found brutally murdered in the chapel, and a member of Lady Julia's own family confesses to the crime. Certain of her cousin's innocence, Lady Julia resumes her unlikely and deliciously intriguing partnership with Nicholas Brisbane, setting out to unravel a tangle of deceit before the killer can strike again. When a sudden snowstorm blankets the abbey like a shroud, it falls to Lady Julia and Nicholas Brisbane to answer the shriek of murder most foul.
eBook Publisher: Harlequin/MIRA, 2008
eBookwise Release Date: January 2008
35 Reader Ratings:
Available eBook Formats [Secure - What's this?]: OEBFF Format (IMP) [1.2 MB]
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Starred Review. Fans of British historical thrillers will welcome Raybourn's perfectly executed debut. In 1886, Lady Julia Grey's husband, Edward, dies suddenly of the heart disease that plagues his family, including his reclusive cousin, Simon, who resides with the couple in their large London townhouse. Just as she learns to cope with the contradictions of monied widowhood, Julia is visited by taciturn private detective Nicholas Brisbane, who reveals that Edward had hired him to find the source of some threatening letters. Analysis confirms Brisbane's suspicions of murder, leading him and Julia on a testily collaborative search for the culprit. Julia probes servants, Simon and a variety of peers, discovering disturbing truths about a husband she never truly knew and a world of deception, disease and sexual obsession she could never have imagined. Deft historical detailing, sparkling first-person narration and the fledgling love between Julia and the often surprising Brisbane balance otherwise dark themes. None of the book's components is new, but Raybourn updates and deepens them so intelligently that they feel freshly minted and free of cliché. (Jan.)
Copyright (c) Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. -- Publishers Weekly
Four Stars! Raybourn makes a sensational debut, finding the humor and color in the notoriously dour and drab Victorian era through her unusual heroine's eyes. She also mounts a stout challenge to the cleverest armchair sleuth. Best of all, it's the first book in a new series. -- Romantic Times
THE FIRST CHAPTER
Travelers must be content.
—AS YOU LIKE IT
"Well, I suppose that settles it. Either we all go home to England for Christmas or we hurl ourselves into Lake Como to atone for our sins."
I threw my elder brother a repressive look. "Do not be so morose, Plum. Father's only really angry with Lysander," I pointed out, brandishing the letter from England with my fingertips. The paper fairly scorched my skin. Father's temper was a force of nature. Unable to rant at Lysander directly, he had applied himself to written chastisement with great vigour.
"The rest of us can go home easily enough," I said. "Just think of it—Christmas in England! Plum pudding and snapdragon, mistletoe and wassail—"
"Chilblains and damp beds, fogs so thick you cannot set foot out of doors," Plum put in, his expression sour. "Someone sobbing in the linen cupboard, Father locking himself in the study after threatening to drown the lot of us in the moat."
"I know," I said, my excitement rising. "Won't it be wonderful?"
Plum's face cracked into a thin, wistful smile. "It will, actually. I have rather missed the old pile—and the family, as well. But I shall be sorry to leave Italy. It has been an adventure I shall not soon forget."
On that point we were in complete agreement. Italy had been a balm to me, soothing and stimulating at once. I had joined two of my brothers, Lysander and Eglamour—Plum to the family—after suffering the loss of my husband and later my home, and very nearly my own life. I had arrived in Italy with my health almost broken and my spirit in a sorrier state. Four months in a warm, sunny clime with the company of my brothers had restored me. And though the weather had lately grown chill and the seasons were turning inward, I had no wish to leave Italy yet. Still, the lure of family and home, particularly at Christmas, was strong.
"Well, who is to say we must return permanently? Italy shall always be here. We can go to England for Christmas and still be back in Venice in time for Carnevale."
Plum's smile deepened. "That is terribly cunning of you, Julia. I think living among Italians has developed a latent talent in you for intrigue."
It was a jest, but the barb struck too close to home, and I lowered my head over my needlework. I had engaged in an intrigue in England although I had never discussed it with my brothers. There had been an investigation into my husband's death, a private investigation conducted by an inquiry agent. I had assisted him and unmasked the killer myself. It had been dangerous, nasty work, and I told myself I was happy to be done with it.
But even as I plunged my needle into the canvas, trailing a train of luscious scarlet silk behind it, I felt a pang of regret—regret that my days were occupied with nothing more purposeful than those of any other lady of society. I had had a glimpse of what it meant to be useful, and it stung now to be merely decorative. I longed for something more important than the embroidering of cushions or the pouring of tea to sustain me.
Of my other regrets, I would not let myself think. I yanked at the needle, snarling the thread.
"Blast," I muttered, rummaging in my work basket for my scissors.
"We are a deceptively domestic pair," Plum said suddenly.
I snapped the threads loose and peered at him. "Whatever do you mean?"
He waved a hand. "This lovely villa, the fireside, both of us in slippers. I, reading my paper from England whilst you ply your needle. We might be any couple, by any fireside, placidly whiling away the darkening hours of an autumn eve."
I glanced about. The rented villa was comfortably, even luxuriously appointed. The long windows of the drawing room overlooked Lake Como, although the heavy velvet draperies had long since been drawn against the gathering dark. "I suppose, but—"
What I had been about to say next was lost. Morag, my maid, entered the drawing room to announce a visitor.
"The Count of Four-not-cheese."
I gave her an evil look and tossed my needlework aside. Plum dashed his newspaper to the floor and jumped to his feet.
"Alessandro!" he cried. "You are a welcome sight! We did not expect you until Saturday."
Morag did not move, and our visitor stepped neatly around her, doffing his hat and cape. They were speckled with raindrops that glittered in the firelight. He held them out to Morag who looked at him as though he had just offered her a dead animal. I rushed to take them.
"Alessandro, how lovely to see you." I thrust the cape and hat at Morag. "Take these and brush them well," I instructed. "And his name is Fornacci," I hissed at her.
She gave me a shrug and a curl of the lip and departed, dragging the tail of Alessandro's beautiful coat on the marble floor as she went.
I turned to him, smiling brightly. "Do come in and get warm by the fire. It has turned beastly out there and you must be chilled to the bone."
He gave me a look rich with gratitude, and something rather more as well. Plum and I bustled about, plumping cushions and making him comfortable with a chair by the fire and a glass of good Irish whiskey. Alessandro had never tasted whiskey until making the acquaintance of my brothers, but had become something of a connoisseur in the months he had known them. To begin with, he no longer made the mistake of tossing his head back and drinking the entire glass at one gulp.
Copyright © 2008 by Deanna Raybourn.