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by Elizabeth Hand
Description: Shirley Jackson Award Winner. Cass Neary made her name in the 1970s as a photographer embedded in the burgeoning punk movement in New York City. Her pictures of the musicians and hangers on, the infamous, the damned, and the dead, got her into art galleries and a book deal. But thirty years later she is adrift, on her way down, and almost out. Then an old acquaintance sends her on a mercy gig to interview a famously reclusive photographer who lives on an island in Maine. When she arrives Downeast, Cass stumbles across a decades-old mystery that is still claiming victims, and into one final shot at redemption.
eBook Publisher: Small Beer Press, 2007 2007
eBookwise Release Date: August 2007
3 Reader Ratings:
Available eBook Formats: OEBFF Format (IMP) [393 KB]
Reading time: 249-349 min.
"Cass is a marvel, someone with whom we take the difficult journey toward delayed adulthood, wishing her encouragement despite grave odds."--Los Angeles Times
"Hand's terse but transporting prose keeps the reader turning pages until Neary's gritty charm does, finally, shine through."--Entertainment Weekly
"Hand (Mortal Love) explores the narrow boundary between artistic genius and madness in this gritty, profoundly unsettling literary thriller."--Publishers Weekly (starred review)
"A riveting page-turner."--Valley Advocate
"The novel crackles with energy: it is alive."--Nicholas Rombes, (The Ramones and New Punk Cinema)
"Intense and atmospheric, Generation Loss is an inventive brew of postpunk attitude and dark mystery. Elizabeth Hand writes with craftsmanship and passion."--George Pelecanos
"Lucid and beautifully rendered. Great, unforgiving wilderness, a vanished teenager, an excellent villain, and an obsession with art that shades into death: what else do you need? An excellent book."--Brian Evenson, The Open Curtain
There's always a moment where everything changes. A great photographer--someone like Diane Arbus, or me during that fraction of a second when I was great--she sees that moment coming, and presses the shutter release an instant before the change hits. If you don't see it coming, if you blink or you're drunk or just looking the other way--well, everything changes anyway, it's not like things would have been different.
But for the rest of your life you're fucked, because you blew it. Maybe no one else knows it, but you do. In my case, it was no secret. Everyone knew I'd blown it. Some people can make do in a situation like that. Me, I've never been good at making do. My life, who could pretend there wasn't a big fucking hole in it?
I grew up about sixty miles north of the city in Kamensic Village, a haunted corner of the Hudson Valley where three counties meet in a stony congeries of ancient Dutch-built houses, farmland, old-growth forest, nouveau-riche mansions. My father was--is--the village magistrate. I was an only child, and a wild thing as the privileged children of that town were.
I had from earliest childhood a sense that there was no skin between me and the world. I saw things that other people didn't see. Hands that slipped through gaps in the air like falling leaves; a jagged outline like a branch but there was no branch and no tree. In bed at night I heard a voice repeating my name in a soft, insistent monotone. Cass. Cass. Cass. My father took me to a doctor, who said I'd grow out of it. I never did, really.
My mother was much younger than my father, a beautiful Radcliffe girl he met on a blind date arranged by his cousin. She died when I was four. The car she was driving, our old red Rambler station wagon, went off the road and into the woods, slamming into a tree on the outskirts of town. It was an hour before someone noticed headlights shining through the trees and called the police. When they finally arrived, they found my mother impaled on the steering column. I was faceup on the backseat, surrounded by shattered glass but unhurt.
I have no memory of the accident. The police officer told my father that I didn't cry or speak, just stared at the car's ceiling, and, as the officer carried me outside, the night sky. Nowadays there would have been a grief counselor, a child psychologist, drugs. My father's Irish Catholic sensibility, while not religious, precluded any overt emotion; there was a wake, a funeral, a week of visiting relatives and phone calls. Then my father returned to work. A housekeeper, Rosie, was hired to tend me. My father wouldn't speak of my mother unless asked, and, forty-odd years ago, one didn't ask. Her presence remained in the framed black-and-white photos my father kept of her in his bedroom. While Rosie vacuumed or made lunch I would sit on his bed and slowly move my fingers across the glass covering the pictures, pretending the dust was face powder on my mother's cheeks.
I liked being alone. Once when I was fourteen, walking in the woods, I stepped from the trees into a field where the long grasses had been flattened by sleeping deer. I looked up into the sky and saw a mirror image of the grass, black and yellow-gray whorls making a slow clockwise rotation like a hurricane. As I stared the whorl began to move more quickly, drawing a darkness into its center until it resembled a vast striated eye that was all pupil, contracting upon itself yet never disappearing. I stared at it until a low buzzing began to sound in my ears. Then I ran.
I didn't stop until I reached my driveway. When I finally halted and looked back, the eye was still there, turning. I never mentioned it to anyone. No one else ever spoke of seeing it.
My sense of detachment grew when I started high school, but as my grades were good and my other activities furtive, my father never worried much about what I did. Our relationship was friendly if distant. It was my Aunt Brigid who worried about me on the rare occasions she paid us a visit.
Brigid was like my father, stocky and big boned and red haired. I resembled photos of my mother. Tall and angular, narrow hipped, my mother's soft features honed to a knife-edge in my own. Pointed chin, uptilted nose, dirty-blond hair and mistrustful gray eyes. If I'd been a boy I might have been beautiful. Instead I learned early on that my appearance made people uneasy. There was nothing pretty about my androgyny. I was nearly six feet tall and vaguely threatening. I wore my hair long but otherwise made no concessions to fashion, no makeup, no lipstick. I wore my father's white shirts over patched blue jeans or men's trousers I bought at the Junior League Shop. I wouldn't meet people's eyes. I didn't like people looking at me. It made me feel sick; it reminded me of that great eye above the empty field.
"She looks like a scarecrow, Dad," Brigid said once when I was sixteen. She and her husband were in Kamensic for a rare visit. "I mean, look at her--"
"I think she looks fine," my father said mildly. "She's just built like her mother was."
"She looks like a drug addict," Brigid snapped. She was sensitive about her weight. "We see them out where we live."
I pointed out to the bird feeder at the edge of our woods. "What, like the chickadees? We see them too," I said, and retreated to my room.
Several months later I had this dream. I was kneeling in the field where I'd seen the eye. A figure appeared in front of me: a man with green-flecked eyes, his smile mocking and oddly compassionate. As I stared up at him, he extended his hand until his finger touched the center of my forehead.
There was a blinding flash. I fell on my face, terrified, woke in bed with my ears ringing. It was the morning of my seventeenth birthday. My father gave me a camera. I sat at the breakfast table, turned it in my hands, and remembered the dream. I saw my face distorted in the round glass of the lens, like a flaw; like an eye staring back at me.